How to Make Use of Our Suffering: Simone Weil on Ameliorating Our Experience of Pain, Hunger, Fatigue, and All That Makes the Soul Cry
“To make use … of the sufferings that chance inflicts upon us is better than inflicting discipline upon oneself.”
BY MARIA POPOVA
Long before scientists had empirical evidence of the astounding ways in which our minds affect our bodies, French philosopher and political activist Simone Weil (February 3, 1909–August 24, 1943) — one of the most remarkable thinkers of the past century, whom Albert Camus aptly proclaimed “the only great spirit of our times” — examined the delicate relationship between our physical and spiritual suffering, between the anguish of the material body and that of the soul.
A few months before her painful yet stoic death from tuberculosis — despite her diagnosis and her doctor’s explicit orders to eat heartily, Weil consumed only what was rationed to her compatriots under the German Occupation in a remarkable gesture of solidarity, ultimately resulting in fatal malnutrition — she turned to the problem of pain in First and Last Notebooks (public library), the same out-of-print treasure that gave us Weil on temptation and the key to discipline.
In an entry from late 1942, Weil considers how our instinctive reaction to suffering often only amplifies our pain:
The way to make use of physical pain. When suffering no matter what degree of pain, when almost the entire soul is inwardly crying “Make it stop, I can bear no more,” a part of the soul, even though it be an infinitesimally small part, should say: “I consent that this should continue throughout the whole of time, if the divine wisdom so ordains.” The soul is then split in two. For the physically sentient part of the soul is — at least sometimes — unable to consent to pain. This splitting in two of the soul is a second pain, a spiritual one, and even sharper than the physical pain that causes it.
There is almost a Buddhist undertone to Weil’s insistence on accepting everything that is, as it is, without compounding pain with “the second arrow” of our tendency to resist any unpleasantness and judge it as a kind of personal failure, which in turn precipitates an even graver sense of dissatisfaction. One is reminded at once of the Chinese philosophy of wu-wei and of Rilke’s famous words — “Let everything happen to you: beauty and terror.”
Indeed, Weil’s philosophy of suffering embraces Rilke’s everythingness — she extends it beyond physical pain and into other forms of bodily and spiritual discomfort that we habitually exacerbate by stiffening with resistance to the unpleasantness:
A similar use can be made of hunger, fatigue, fear, and of everything that imperatively constrains the sentient part of the soul to cry: I can bear no more! Make it stop! There should be something in us that answers: I consent that it should continue up to the moment of death, or that it should not even finish then, but continue for ever. Then it is that the soul is as if divided by a two-edged sword.To make use in this way of the sufferings that chance inflicts upon us is better than inflicting discipline upon oneself.
Weil’s First and Last Notebooks, hard though it may be to find, is a perennially profound read from cover to cover — an intensely intimate glimpse of one of the most significant minds of the twentieth century, whose ideas influenced such luminaries as Susan Sontag, Iris Murdoch, Flannery O’Connor, and Cornel West. Complement this particular passage with C.S. Lewis on how suffering confers agency upon life and Nietzsche on why a full life requires embracing rather than running from suffering.
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///////////////////EVERY 7 YEARS WE RENEW BODY CELLS COMPLETELY..........WHAT ABT THE HIPPOCAMPUS ?
////////////////NOT TRYING TOO HARD
Wu-wei literally translates as “no trying” or “no doing,” but it’s not at all about dull inaction. In fact, it refers to the dynamic, effortless, and unselfconscious state of mind of a person who is optimally active and effective. People in wu-wei feel as if they are doing nothing, while at the same time they might be creating a brilliant work of art, smoothly negotiating a complex social situation, or even bringing the entire world into harmonious order. For a person in wu-wei, proper and effective conduct follows as automatically as the body gives in to the seductive rhythm of a song. This state of harmony is both complex and holistic, involving as it does the integration of the body, the emotions, and the mind. If we have to translate it, wu-wei is probably best rendered as something like “effortless action” or “spontaneous action.” Being in wu-wei is relaxing and enjoyable, but in a deeply rewarding way that distinguishes it from cruder or more mundane pleasures.
///////////////////////RILKE
In the face of impermanence and death, it takes courage to love the things of this world and to believe that praising them is our noblest calling. Rilke’s is not a conditional courage, dependent on an afterlife. Nor is it a stoic courage, keeping a stiff upper lip when shattered by loss. It is courage born of the ever-unexpected discovery that acceptance of mortality yields an expansion of being. In naming what is doomed to disappear, naming the way it keeps streaming through our hands, we can hear the song that streaming makes.
////////////////THE SWAN
///////////////////// “Let everything happen to you: beauty and terror. RILKE
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//////////////////////B PRESENT- U ARE SHOWING UP
Buddhist teachings say, you know, feeling that you have to maintain hope can wear you out, so just be present… The biggest gift you can give is to be absolutely present, and when you’re worrying about whether you’re hopeful or hopeless or pessimistic or optimistic, who cares? The main thing is that you’re showing up, that you’re here, and that you’re finding ever more capacity to love this world — because it will not be healed without that. That [is] what is going to unleash our intelligence and our ingenuity and our solidarity for the healing of our world.
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Don't Shoot the Second Arrow
"Awakening self-compassion is often the greatest challenge people face..."
Maria Popova
Author
May 11, 2015
In her altogether illuminating book True Refuge: Finding Peace and Freedom in Your Own Awakened Heart, mindfulness teacher Tara Brach writes:
The Buddha once asked a student, “If a person is struck by an arrow, is it painful?” The student replied , “It is.” The Buddha then asked, “If the person is struck by a second arrow, is that even more painful?” The student replied again, “It is.” The Buddha then explained, “In life, we cannot always control the first arrow. However, the second arrow is our reaction to the first. And with this second arrow comes the possibility of choice.”The first arrow is our human conditioning to cling to comfort and pleasure and to react with anger or fear to unpleasant experience. It’s humbling to discover that willpower is often no match for these primal energies . We believe we should be able to control our “negative” emotions, then they just storm in and possess our psyches. We think we should be able to stop our obsessive thoughts or compulsive behaviors, but the anxious rehearsing, the cravings for food or attention, hound us throughout the day.The second, more painful arrow is our reaction to these “failures.” Sometimes our self-aversion is subtle; we’re not aware of how it undermines us. Yet often it is not— we hate ourselves for the way we get insecure and flustered, for being fatigued and unproductive, for our addiction to alcohol or other substances. Rather than attending to the difficult (and sometimes trauma-based) emotions underlying the first arrow, we shoot ourselves with the second arrow of self-blame.Awakening self-compassion is often the greatest challenge people face...
///////////////////EVERY 7 YEARS WE RENEW BODY CELLS COMPLETELY..........WHAT ABT THE HIPPOCAMPUS ?
////////////////NOT TRYING TOO HARD
Wu-wei literally translates as “no trying” or “no doing,” but it’s not at all about dull inaction. In fact, it refers to the dynamic, effortless, and unselfconscious state of mind of a person who is optimally active and effective. People in wu-wei feel as if they are doing nothing, while at the same time they might be creating a brilliant work of art, smoothly negotiating a complex social situation, or even bringing the entire world into harmonious order. For a person in wu-wei, proper and effective conduct follows as automatically as the body gives in to the seductive rhythm of a song. This state of harmony is both complex and holistic, involving as it does the integration of the body, the emotions, and the mind. If we have to translate it, wu-wei is probably best rendered as something like “effortless action” or “spontaneous action.” Being in wu-wei is relaxing and enjoyable, but in a deeply rewarding way that distinguishes it from cruder or more mundane pleasures.
///////////////////////RILKE
In the face of impermanence and death, it takes courage to love the things of this world and to believe that praising them is our noblest calling. Rilke’s is not a conditional courage, dependent on an afterlife. Nor is it a stoic courage, keeping a stiff upper lip when shattered by loss. It is courage born of the ever-unexpected discovery that acceptance of mortality yields an expansion of being. In naming what is doomed to disappear, naming the way it keeps streaming through our hands, we can hear the song that streaming makes.
////////////////THE SWAN
This laboring of ours with all that remains undone,
as if still bound to it,
is like the lumbering gait of the swan.
as if still bound to it,
is like the lumbering gait of the swan.
And then our dying — releasing ourselves
from the very ground on which we stood —
is like the way he hesitantly lowers himself
from the very ground on which we stood —
is like the way he hesitantly lowers himself
into the water. It gently receives him,
and, gladly yielding, flows back beneath him,
as wave follows wave,
while he, now wholly serene and sure,
with regal composure,
allows himself to glide.and, gladly yielding, flows back beneath him,
as wave follows wave,
while he, now wholly serene and sure,
with regal composure,
///////////////////// “Let everything happen to you: beauty and terror. RILKE
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LET THIS DARKNESS BE A BELLTOWERQuiet friend who has come so far,
feel how your breathing makes more space around you.
Let this darkness be a bell tower
and you the bell. As you ring,what batters you becomes your strength.
Move back and forth into the change.
What is it like, such intensity of pain?
If the drink is bitter, turn yourself to wine.In this uncontainable night,
be the mystery at the crossroads of your senses,
the meaning discovered there.And if the world has ceased to hear you,
say to the silent earth: I flow.
To the rushing water, speak: I am.
//////////////////////B PRESENT- U ARE SHOWING UP
Buddhist teachings say, you know, feeling that you have to maintain hope can wear you out, so just be present… The biggest gift you can give is to be absolutely present, and when you’re worrying about whether you’re hopeful or hopeless or pessimistic or optimistic, who cares? The main thing is that you’re showing up, that you’re here, and that you’re finding ever more capacity to love this world — because it will not be healed without that. That [is] what is going to unleash our intelligence and our ingenuity and our solidarity for the healing of our world.
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